to say a Lot of the men in this Film: rowing in boats, to convey messages, to see an art exhibition. All of you are wearing a wig the same Baroque. In the centre of Céline Sciammas work about the love between two women, a young painter, Marianne (Noémie Merlant) and the large civil Héloise (Adèle Haenel) are available. They meet on a lonely Brittany island, where you – in a happy bubble outside of time, their own rhythm of life can discover.
The Film takes place in the year 1770; in fact, young women like Marianne and Heloise have nothing to say. Quite the contrary, they Manoeuvre are: After the suicide of her sister, Heloise is brought out of the monastery, now you have to be to Milan married. Your mother holds you, until then, the house caught on the island.
Because the groom wants to see a portrait of his future wife. This produce is now ordered Marianne to the island. However, because Heloise refuses to sit on the model, your mother was the painter as a shareholder: during the day, Marianne accompanied the young lady of the house on your walks on the cliffs, and in the evening she works from memory to your portrait.
voltage-load: Two women get to know. Video: YouTube/cineworx movie rental
Céline Sciamma (“Bande de filles”) shows in the intense, slowly fanning images, like the two women in the soul landscape of wild rocks and the raging waves to come closer about the shared interest for art, literature and music.
both Actresses clearly show the women Stripping gently in the arms of her loneliness, which had been necessary in order to protect your moving intellectually-artistic inner life. A tremendous tension is created. The viewers know the betrayal of Marianne, her double game.
Caught in the rush
However, the Film finds its own Form, with the Melodrama deal. As Héloise finally behind the true intentions of Marianne’s, which leads the blast to the two, for the first Time. In an increasingly ecstatic state, the discovery of the artistic gaze and the body of the Beloved flow together.
Marianne recognizes thanks to the criticism of Heloise that she had never been painted, what you saw, but it is the Genre forms was caught. The frame story is set a few years later, makes it clear that this island is the noise much more than an ecstasy of the moment. Marianne looks like the fire where it burns in the shadows.
Each setting in this highly artistic movie about a female See, Feel and Think braces are, in turn, against the Convention. This is invoked constantly, but only to transform to you. So, as Marianne and Héloise the myth of Orpheus from Ovid’s “metamorphoses” to be re-interpreted as a story about the parting of Orpheus is not going to get Eurydice from the underworld back to life, he just wanted to say goodbye to her.
Arthouse Piccadilly / Riffraff
Created: 24.10.2019, 10:39 PM
