Solange may be Beyonce’s little sister, but she has bigger ambitions. In each case the musical.
however, It has always pinched tremendously to realize them, and the trend continues unabated on the hollow-sounding ’When I Get Home’.
the Album was released in the night without other notice than it is becoming mandatory teaseri on the social media. It is also not surprising that Solange still can’t write memorable songs.
She gets the help of, among many others, Earl Sweatshirt, Panda Bear, Tyler the Creator, Gucci Mane, and Pharrell Williams, but as Bob Dylan, Rasmus Seebach and Max Martin were called, would texaneren probably operate without hooks and melodies.
the Plethora of guests doesn’t change to ’When I Get Home’ is underskudsagtig purely musical. The drowsy grooves and gentle, shimmering vocals, forming, however, a fairly pleasant blanket”, you can easily fade away.
It is not good. It is not bad. It is just there.
the Disc is interspersed with interludes, which is to dilute the impression of a diffuse artist, as pretentious trying to pursue the socially indignant tones from Stevie Wonder, Nina Simone and Gil Scott-Heron without having the necessary talent. And credibility.
One is left with the impression that Solange is more concerned with Instagram than the american society.
On the cover, she has no clothes on. She is not musical.
the Cover to Solanges fourth album, ‘When I Get Home’, which contains 19 tracks and has a playing time of 39 minutes.
