The Guardian praises the album and how ”wonderful harmonies and unfailing emotional intelligence dominates this freer and klubbigare sequel to the last album ”Body talk” which was released in 2010.
In a long hyllningstext tells the british newspaper about how Robyns debut album ”Robyn is here”, released in 1995, paved the way for a number of Swedish artists ‘ hit records. Not least the feminist message at the last ”Body talk” created a new kind of pop star – ”a smart, forward-looking and in total control”. The Guardian further emphasizes just how Robyns emotional ability contribute to the new album’s electronic setting never feels mechanical, but just as ”warm and soft as a kärleksrus”.
the Influential Pitchfork agree with the tributes and also rank Robyns ”Honey” as one of the year’s best albums (in fourth place). The american musiksajten describes her how her choices ”whisper that we, too, can be extraordinary, and reject the restrictions that they want to make us docile. She stands out as a powerful and necessary the declaration of women’s autonomy in a music genre that wants to treat them as consumables.”
On Metacritics site, which compiles international music reviews, album ”Honey”, a total of 89 points out of 100 on the basis of twenty-two critics reviews. DN:reviewer Nicholas Ringskog Ferrada-Noli gave the album 4 in the ratings when it was released in the end of October of this year. He stressed its appeal as a disco for the heart rather than the dance floor:
”Perhaps the disc will not be as much success or influence as many artists as her earlier works, but it doesn’t matter, Robyn has nothing to prove anymore. And it feels like she finally understands it himself. She is free now.”
