The city is wet, grey, clean blobs of Light spill is flushed, through the image, a white small threaded the car through traffic through residential streets, past half-empty bus stops. Through the washed-out day Indie softet-Folkiges. The white letters Shine against the white clouds in the sky of Stuttgart on: “Anne and of death.”
Cut. Hard the buttons of the phone rattling, and Anne whispers an excuse in the shell: you have diarrhea or something. Behind her, in Uniform, stands motionless. Yet you do not know, that in this one a COP.
Suddenly, an egg timer goes off, and Anne wriggles in her chair. It’s just the characters for Commissioner Bootz (Felix Klare), the tea has drawn. The interrogation begins. How much of Anne’s Aufzucken has to do with the deaths of the old men, to the it goes, shows to a later date. Even Jens Wischnewskis makes narrative style with the subtle leitmotifs, the subtle Transitions between time levels, the refined image of the 90 minutes cut between places and people, a great TV detective.
Director Vishnevsky throws in his first “crime scene” all the classic bridging scenes on Board, always it is the same in the middle of it. “Among us, he has called Godzilla,” claims Anne about the wife of a recently in a car crash, lost old man. Cut to the past survey of the widow, which actually comes as a right-hand monster is over, and raises the question of why the private nurse Anne put her Tour so that she could be with the crippled man alone. Bootz and Lannert (Richy Müller) questions the also.
From the ping-pong scenes from the Story of a murder gradually emerges; we lead the investigation in this way, together with the commissioners and how they must endure, that the truth never comes before a court for the language. TV-crime-author Wolfgang Stauch has the Tear in our society and the loss of any solidarity between rich and Poor, Old and Young, man and woman discussed both brilliant in very different Conflict situations around the helpless, honestly tried, all the time under buttered Anne. The is no crazy angel of death, but rather of the circumstances in the Close-driven, desperate man: as such, impeccably played by the actress and singer Katharina Marie Schubert.
Already, “jam”, it had shown brilliantly: Stuttgart may, Tam-Tam, silent, hard crime without big. (Editorial Tamedia)
Created: 19.05.2019, 21:41 PM