First, you have to think: was He not…? But he does’s: Jonas Palm has placed two bows ready, and in fact, both are used at the same time. He plays the Cello with two bows, sweeps in parallel, elicited the Instrument very solid, plastic is Loud, it creaks and gurgles. Brittle the looks, but the sound production is a virtuoso. And made of brittle Material, the wood grating on the Japanese doors and Windows, of which the 24-year-old composer Marc David Ferrum to this piece of “lattice” has inspired. The grid, which are sound, are an architectural detail, and yet you promise that behind them could lie.
Always before, so with the New music: Total of three pieces will be premiered this evening, the presents the winner of the Felix Mendelssohn Bartholdy University competition. And because of this, the Cello and the organ are at the center, in the UdK concert hall organ, is at the hard mountain road, you dodged to the Konzerthaus at the Gendarmenmarkt. Youth and Tradition fold here on the most Beautiful together. Because it is the oldest high school competition in Germany, he goes back to the family of Felix Mendelssohn Bartholdy, who Died the estate of the 1847 tragically early Prussian state left. Today, he is in the state library “unter den Linden”, which, in turn, to the Foundation of Prussian culture possession – which is why Foundation President Hermann Parzinger holds a eloquent crisp, professional short speech.
Shy-verzärtelt to gods-like-angry
In direct comparison to Ferrums piece of Christian Jost’s by Ildikó Szabó, first performed on “silent II” for Solo Cello, with its wave-shaped and siren songs, decongestant very sensual. On the organ John Lamprecht, the first prize-winner demonstrates, in Max Reger’s choral fantasy “All people need to impression Die,” the expressive range of his instrument from shy-verzärtelt to the gods the same – angry. The second prize winner Lars Black interpreted Mendelsohn Bartholdy’s St. Paul Overture full grip and pageantry aware of. The Cello, in turn, Petar Pejmik tears in Brahms pizzicato blessed second Sonata for Cello and piano (Annegret Bruns) to the Extreme, sharpens the Cantabile like the rough passages. The great work, Schumann’s cello Concerto, is allowed to play the first prize-winner Sebastian Fritsch for the Finale of the concert house orchestra. Between him and the experienced musicians Corinna Niemeyer coordinates on the console with hands-on, dedicated Gestures.
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The composer Christian Jost Haste töne?
Christiane Tewinkel
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