He pulls out pure like Subutex, heroin sentence: Subutex, the homeless DJ with an ear for the perfect Sound, for the addictive subcutaneous waves his listeners in blissful dissolution, community orgasms into the strand. Somehow, it sucks us sometimes, right, when Martin Butzkes Subutex with yellow tinted Aviator sunglasses, and a Hippie-bed-hair, the wacky mixer-God. However, during the entire four and a half hours of “The life of Vernon Subutex” in the Theater Neumarkt .
Sustainable it is, the noise, the Virginie Despentes’ three novels about the former the record store cause the owner and the temporary music guru. He has, without question, the synapses of the outgoing Neumarkt-conductor Peter kastenmüller in a Duration of the fireworks. The rays during the world premiere of the stage: as a large network of neon tubes that illuminated the narrow, dangerous zig-zag walkways that lead through the space, rather beblitzt as (stage: Alexander Wolf, Justus Saretz).
Broken, lonely, desperate
“The life of Vernon Subutex” is a 1200-page Trip through the many apartments in the world of neoliberalism, where globalization and digitization, social security and any social putty have been swept away. The people there are broken, lonely, desperate. As a consolation, you have glued yourself to new and old religions, on the wounds of their bruised Psyche: the consumer or the Nation, the success, the race or the religion of Islam.
Old or new religions, as a consolation, consumption, Nation, race, and Islam.
As the French author of the spirit of the times from different perspectives to pieces, while they followed the fate of the title hero in the years 2014, 2015: This guarantees the reader a minimum of a Binge Reading weekend and many moments of the person affected to wince, the bitter Auflachens. The theatre chunks of visitors, sometimes.
box-müller with the dramaturg Inga Schonlau all the punchlines, poetic vignettes and nasty craziness out gepfriemelt: rather too much than too little. In part I, the two struggled hardly to strokes, while the Finale for viewers without text knowledge leaves open questions. And as a Director with apparently unbezähmbarem slope to the choreographic elements of the box-müller is the insatiable longing for a fulfilling, out of the novels screaming, on the stage, psychedelic dance its to to wide from.
TRANS man and Ex-Porn Artist
The whole heterogeneous group of Vernon’s well-Known grooves as at times in rhythm, throwing hair in the air, and the ugly-ass platform shoes and Cowboy boots from the feet: the failure of the screenwriter (Simon Brusis); the disappointed musician, as state officials ickering (Hanna glans); the Internet hyena, for outrage, and click-through-storms pay (Marie Bonnet); the TRANS-man and Ex-Porn Artist, the now, with E-cigarettes Fund (Jan blood Hardt); the TRANS woman, the Beautiful and the Rich serving (Deborah De Lorenzo); the Arab Seconda, which in a strict Islam escaped (Sarah Sandeh); the angejahrte Communist, the pressure from the outside in such a manner to his wife at home einprügelte that it left (Miro Maurer).
The eight-sleek Look-players are 19 roles in the System, the prisoners, brutal bankers, a high school teacher with North African roots that is not applied against the glass ceiling, up to the suspended adolescents from the province, which freaks out at the end of the extreme right and the liberal, all-dancing Arabs niedermäht.
The story begins as the insolvent man in his late forties Vernon flies out of the apartment. He goes through via Facebook contacts, bumming from friend to friend, surfs from Couch to king-size bed, and Vice versa – until he ends up permanently on the street and, in the short term, to the Jesus of the Steppe mutated.
Crass joke
box-Muller sets the tough-as-nails Story part in hilarious dialogue Clips; especially the blood Hardt can be crass joke. In the long audience room to drown some of it acoustically and not to see everything is good: Refers to the have on our determination of the diffuse reality in which the super-rich us already tricked lost? Anyway, our Theater is so clumsy and beduselt as its anti-hero.
(editing Tamedia)
Created: 27.01.2019, 19:27 PM