Someone has written, the Iranian Director Jafar Panahi have not however, made a very respectable career, simply because he’s doing what you tell him. It sounded a little resentful, to mesh. Hopefully, wars not meant to be. Because the audacity to take liberties in the lack of freedom, is under Iran’s circumstances is remarkable. That Panahi is working, is the expression of a defiant will to Survive, and a new film “Three Faces” is, actually, a miracle of Cunning and lived-Now-only-right.
the man charged in the home, does he take a professional ban for the past eight years. To travel abroad is not to think, and still never practically implemented was sentenced to six years in prison is apparently. But Panahi has never rotate stopped films . You reach out to the Public as a counter-gang, and win prizes, in 2015, the Golden bear in Berlin for “Taxi to Tehran”. For “Three Faces” gabs this year, the screenplay prize in Cannes.
original and subversive as Jafar Panahi none penetrates to the heart of Iranian oddities and eclipses.
The current Film tells the story of a journey, a search, and maybe a rescue. And if it’s not to cynical sounds would like to say, all the harassment at home would Panahi, a fortiori, creative: original and subversive as he penetrates to none to the heart of Iranian oddities and eclipses.
truth or Assembly?
He took back the car. A wonderfully cinematic invention, such a car. It allows the view and, if necessary, the escape in front of the theatre of realities. You can really – out or through the window with them converse. The car is a stage of psychological Dramolette, gracious and life-threatening, they add up to the tragicomedy of a civilization. The term “experience” is gaining Literalness, and sometimes you don’t know where the world ends and the cinema begins. Without a car it wouldn’t have gone in “Three Faces”, to the Azerbaijan, of Bergland, where the plays, it is far.
To reach the beginning of a video message from the Director Panahi: it is designed for Behnaz Jafari, a (real) Star among the Actresses of Iran. Pointed looks – truth or Assembly? –, hanged himself in the short Film a young woman, because she wanted to be an actress, and it was not allowed. Shocked and doubtful, actress Behnaz Jafari and Director Jafar Panahi, are now on the search for a presumed dead, and driving in the North-Eastern Karst.
With the persistent precision
A polite world that is there, but it can be classified as violent in the defence of its archaic habits Harden. A world must be in the young women Virtuosos of the ticket to enter the Modern. A world in which old women are a few hours in their self-dug graves of the sample, to be sure that you have comfortably, when your last hour comes. It has, of course, television, in this world, and loves the actors, the acting itself holds for daughters spoiling blend.
You can feel the Best of the cinema: credibility. Not everything that haunts as in “Three Faces” by a present, living faith, but a nostalgic nod, a familiar. It is also not necessary. Because the accuracy in the reality of manufacturing is obvious. The logical, patient Simulation of artless experienced reality.
This is Yes, again and again, the Great and Affectionate-Human; and it is – if we put ourselves into the political Thinking of the Iranian censor, perhaps even the Dangerous, to the films of Jafar Panahi, don’t do what you tell him: a friendly, persistent precision in dealing with his country and his countrymen.
(editing Tamedia)
Created: 27.12.2018, 18:12 PM
