Personal affectedness, as it is called in North Rhine-Westphalia Minister of the interior, Herbert Reul. Those affected will presumably be responsible for ensuring that a 50-increased by Years, to new year’s eve in his Mercedes in Bottrop for racist reasons, people ran. Reuls formulation comes to mind in the Views of the Dortmund “Tatort”, even if the Episode is the Prime Time more suitable for the title “wrath”. The Film is a distillate of all the political experiences accumulated in the past years: the rise of right-wing, armed, rich citizens, which close themselves from the state, the Terror of the NSU and the protection of the Constitution, not shredding only files, but right-wing extremism on V-men co-financed.
In a small river near Dortmund, is found the body of a miner, stands at the head of the local protest movement. The miners argue with the operators of their newly closed coal mine to a reasonable settlement. At the most, only the unemployment and the beer in the fridge waiting. They are the losers of structural change that is in the settlement of only a few in the past. The topic may not be current, closed in December but only just, the last coal mine in the Ruhr area – the end of 200 years of industrial history.
The dealer Radowsky (Peter Kremer) are finding it increasingly difficult to reach out to the workers – above all, the two closest friends of the Murdered. Which has been in contact with Friedemann Keller (Götz Schubert), an armed conspiracy theorists, who call on his land of the “Imperial peace”. The basement is only remained, therefore, so far from the police unmolested, because he assists the protection of the Constitution staff member Klarissa Gallwitz (Bibiana Beglau).
Why are laws?
In this case entspinne it always comes back to the question: If neither the company nor the state obey the laws, why should the citizens? Distrust of institutions is omnipresent and not just among the miners. Author Jürgen Werner stylized its rich citizens, not only to the victims but to the personalised result of the societal loss of Confidence.
But in addition so much empathy an approach would at least have a critical distance on the topic of good. As the last “Hannibal”research, “taz” have shown over a right-wing network in the German army, just build people like Keller many convinced supporters at the state level. While the victims of the NSU were then brought into the vicinity of the Clan-crime, in the cellar of this world-most of any interior Minister to talk of personal sadness.
invites So much “anger” on a thematic level discussions, so the “scene of the crime” as a crime. Fabers colleague, Martina Bönisch (Anna Schudt) spends much of the film, their back pain from a penetrating dozens of Reiki-Guru treat. After initial skepticism, they finally brings even a power crystal against bad vibrations to work with. That esotericism is now one of the Central components neurechter ideologies, makes the Whole thing even more awkward.
investigation en passant
in General, the team of investigators has not much to do. Nora Dalay (Aylin Tezel) is quarreling with her in the preceding Dortmund”Tatort” newly introduced Partner Jan Pawlak (Rick Okon), to the Job, overburdened boy. Faber (Jörg Hartmann) solves somehow on the side of the case, without depending on the impression he had to give in to some trouble. In the end then again with a set by Drone-filmed action sequence, including the SEC, is shown in use in front of a Mining setting: The Budget is enough for more than just office shots, a pub and a caravan as a backdrop. This is not really exciting, but it looks expensive, Yes precious.
fun to make only the word battles between Faber and against a player Gallwitz. With increasing pressure from a inscrutable Manipulator converts to a curse of fury. It remains, however, of the impression that “anger” is more likely to see the issues for several values of the “Anne Will”talk show instead of a good Thriller.
More about
the end of the coal of The Ruhr area wants to convert
Carla Neuhaus
“scene of the crime: anger”, ARD, Sunday, 20: 15,
