“”Their relationship has no public interest””
“Åsa Linderborg on a kulturjournalistik that brings out the worst in us”
“This is a kulturartikel which is a part of Aftonbladet’s opinionsjournalistik.”
“It is very spaced location on the newspapers, one might say. Many trembling underläppar and ill-tempered pitchforks.”
“It is the kind of journalism that sells, readers give the shiny fan in a literary review (if it’s not muppets who come up with something new). The screens with the klickstaplar, red and green, yellow, and gray, select the minute to minute what is read and what is being responded to with a becomes hollow yawn. Or even worse: a hånflin over smakdomarna.”
“to the Resort, the entrance: the personal attacks.”
“on Tuesday (april 2) wrote the author Lawen Mohtadi on Facebook about their anguished experiences of a film project with another author. The text was fast and could a few hours later be read on the Swedish newspaper Expressen kultursida, where the man was named and bildsattes.”
“He has a different story to tell. Of course, as it always is.”
“I don’t mind in the two stories. Their working relationship has no public interest at all. It is a friendship that is broken, they are a team that collapsed. It is sad for them, but what have we to do with this? Here there are no principles, no great values to discuss, no special literary qualities which may justify, nothing that is so urgent that the name and image and need to be published.”
“Expressen has not even searched the man for a comment. They run their own race now. Green bars, yellow lines. A precipitate of the Press Council, what does it matter?”
“the Regular readers ignore these names, but every single cultural editor hangs on gärdesgården when successful results Maja will procedure with their gossip. Seemingly uninterested, but the jaws of play as well:”
“”What do I think about him really, isn’t he a little …?”n”I’ve met her, she is, as well as …””
“I have worked for both her and him. The one is the editors at my publishing house, and the other writes for Aftonbladet sometimes. I respect them just as much. But still faltered I, when we talked about the names of the editorial staff. It is the effect of such publications must. I don’t know how it felt for the Swedish newspaper Expressen kulturredaktion when they were scattered after the working day to go home to her, but I was sitting on the subway and was ashamed that they caused me to think and say things about people that I don’t know anything about.”
“Kulturjournalistik with våldskapital win readers for the moment. Myself, I begin to completely lose the desire for a business that does everything to bring out the worst in us.”
