struggling How crass woman with your normal body functions and for the woman to be embarrassed, the female Comic-book avant-garde in the 1990s, relentlessly. And until today, those Comics desideratum, and provocation at the same time. Here we present the representatives of three generations and countries, who address in their Comics, the birth of the female disgust from themselves and the emancipation.
Julie Doucet
Julie Doucet let go of her menstruating Monster 1993 on humanity.
A pioneer is Doucet the acclaimed canadian Julie. In the series “Dirty Plot” (1988-1998) and also in the 1999 Graphic Novel “My New York Diary” and signed it with a nervous black line Menstrual embarrassment and miscarriage, trauma, sexual Disaster and drug crashes. Female realities, the only slowly from the Underground-niche made.
“Today I must laugh about my “Dirty”period. That was so inspired, so full of Rage and raw energy,” says the 1965-born artist in an interview with this newspaper (read here the Doucet-portrait).
In English include: “New York diary”, Reprodukt, 56 p., about 15 Fr.
“Dirty Plot: The Complete Julie Doucet,” was released in 2018, in a two-volume edition, Drawn and Quarterly, 552 p., approx. 146 Fr.
Liv Strömquist
Liv Strömquists blood at the end of ice Skaters from “the origin of The world,” outraged many.
By Julie Doucets Comics and 1978 in Lund-born artist, a feminist and sociologist Liv was Strömquist. Also your factory, the shoals of female pubic explored, however, with much more ease. Where does the disgust towards their Own? “Such things out is liberating,” says Strömquist in an Interview with this newspaper (the Interview is here).
So they faced us in “the origin of The world” (Original 2014) with the monstrous Vaginas of stone goddesses and menstrual blood. It tells how the woman’s body, especially the stomach and waist, in the 18th century. Century, was virtually cut off. Also in “I’m every woman” and “The Origin of love” (2010) you go, in Black-and-White and in color, to the changing roles of women. This is often courageous funny, self-ironic; and some are overwhelmed by it: in 2017, the Stockholm U-Bahn exhibited paintings’m pmsing attack of the ice skaters inside.
In German: “I’m every woman”. Avant, 112 P., 32 Fr. “The origin of the world & The origin of love”. 280 P., 62 Fr. Also in single editions.
Katja Klengel
teach girls that their body is basically mega-“are gruusig”.
“The afraid to say Vulva, is not new” and bigger than the one in front of the word Voldemort, after all, the heroine in Katya Klengels “girls plaining” (2018), that would press on the favorite of every girl in the Hand. “Long as you did so, it would appear that you” – she knows; she has read your Strömquist. And for a long time they suffered during their Mens, each under the pain and disgust. Klengel, 1988 in Jena, Germany, born, can look back on their middle teen years and shows with biting Humor: Nice wars. Odors, leg hair, pubic hair divorce: Everything to be Ashamed of. But in an ironic Pink book blows the bad feelings from the woman’s life.
“girls plaining”. Reprodukt, 160 p., approx. 28 Fr.
Created: 20.11.2019, 12:17 PM
