Dortmund should probably get out soon, Wuppertal wants in, has applied in any case, according to the mayor Andreas Mucke officially WDR Director Tom Buhrow, and Göttingen is now also already in there – in the coveted Pool of the “crime scene”-cities. But actually, we need to talk about Florence Kasumba, the first dark-skinned “crime scene”Commissioner. On Sunday, the Uganda-born 42-year-old actress is determined on the side of LKA-Mrs Charlotte Lindholm alias Maria Furtwängler, which was offset as a result of your last failed deployment from Hannover in the lower Saxony province of the criminal. Also in Göttingen, that’s, Yes, murderer.
And what what. However, after the row. We need to really talk about the first dark-skinned “crime scene” – Commissioner? According to NDR, the skin should be the color of the new colleague, Anais Schmitz in the centre (which wants to suggest the choice of name: Schmitz). Rather, this should come naturally over. Kasumba yourself, she says in the Reuters Interview, grew up with the “scene of the crime”. “Sunday evening was watched with us. Meanwhile, I was in a few episodes and also like the work with the colleagues. As I was looking around me then, and I thought that since you could bring a bit of colour.“
you find it to look more interesting, such as this figure, Anais acts, sometimes pretty aggressive, and powerful. “Many of my, perhaps, she was atypical of women but softer. But who says that? We speak here also of women working in the criminal investigation.“ Since you don’t bring the heat, like if you would go to the nursery. Since you had to bring a certain hardness, in order to be taken seriously.
For the Lindholm remains of this Flirt is a promise
A good approach to start in the first Lindholm/Schmitz-issue from time to time to the rear. It revolves around a case of abuse of an underage girl from a working-class family. In an Effort to give the cast something Casual, plating Director Franziska Buch (who also wrote, together with Jan Braren and Stefan Dähnert the book) occasionally.
When you get to Know at the scene – tire in the crash, filthy locker room of a school sports field it is discovered that a woman here has given birth under mysterious circumstances, there is much to suggest a crime – confused Lindholm, the göttingen-based investigator with the cleaning woman, because standing around in a lab coat and with a small Bucket, and perhaps also because she is not light skinned. Ouch.
The more so. Many points of Friction between Charlotte Lindholm and their new colleague, they behave in their work as dominant as. Lindholm says a, Schmitz says z, in between, yet the pretty pathologist Nick Schmitz (aha, hence the Name!), the both of them start making eyes at each other. For Lindholm this Flirt remains a promise – the new colleague and the colleague Schmitz (Daniel Donskoy) are, surprisingly, married.
at some point the bitching is annoying. At some point, it is also not the question of what it means to be the first dark-skinned “crime scene” – Commissioner and, therefore, the Traditional crime series to give maybe more diversity, but whether this criminal case, really works, whether he will not be crushed by the squabbles among the dominant investigators of the interior.
It works. Not because of the villain, the abused and pregnant is to guess in spite of various distraction to the screenplay template. But mainly because you want to know, whether the missing newborn lives according to this greyish Fund at the crime scene. A race against time. And because Lilly Barshy tires the despair and shock of the victim, the 15-year-old Julia, with a disturbing, TV-price-intensity plays. Some of the scenes in this “crime scene” to go to the kidneys. At the end of you forget almost that there was something with the skin color of the new colleague of Charlotte Lindholm in the 27. Case. This is a good sign. Schmitz and David come back. Maybe also from Göttingen.
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Wutbrief to WDR Director-General to Dortmund-“scene of the crime,” The cliché of the mines and Pilsken
Kurt Sagatz
“scene of the crime: The vanished child,” Sunday, ARD, 20: 15,
