Who doesn’t want to curl up inside a hut when the marsstormarna raging on your doorstep? And most of all in the company of someone safe and familiar. At Theatre Three is being prepared, we kojplats with Kurt and Kio, known from Lisen Adbåges popular bilderbokstrilogi. Stina Gunnarsson and Rickard Hasslingers Kurt and Kio is well that the people are the most. When they are not slentriangnabbas clears his throat and they bored forward spottloskor as the lighthouses of against each other’s mouths. They are also less aparta than their cartoon role models and the emblematic korvhuvudbonaderna is replaced by tilltufsade hairstyles.
the first hut dwellings. For this stop it is not by some wimpy, blanket over chair variants. Annika Thores living room opens up a whole world of opportunities where we guided between the lampfötternas forest, the sandy beach and the furry the location of pallets bilsäteskapacitet. Hasslinger and Gunnarsson mimkonster picks up small comic details on each kojplats. From the little crab that crawls by Kios knuckles through Kurt’s jerky car driving, accompanied by a very spaced framnynnad ”Girl from Ipanema”, to the heavy drops of rain that beats down on the suddenly kojlöse Kio.
It is often very funny, as in kioskkojans snaskiproppningsexcesser
skillfully finger on the shifts in play mood, the subtle border between disappointment, restlessness and enthusiasm. It is often very funny, as in kioskkojans snaskiproppningsexcesser where Richard Hasslinger provides glasshuvudvärken a face. Or when trampandet in dog poop culminates in a pas de deux with pruttförstärkta balettkliv. With Kurt and Kio gets it so much more than a shelter for the trygghetsberoende. Their huts making the world bigger.
Read more scenrecensioner from the DN of the Culture here.
