Divided into two groups, it goes into the neukölln Opera, the stage image of another piece, together with the model railway through to a little room, in the audience of “The flesh” finds its places. Directly in front of a glass case, of the actor Yuri Mizobuchi, Daniel Arnaldos and Remo Tobiaz, the Look price. Behind the opposite glass wall scheme is to recognise the rest of the audience. In between: a landscape looks in the change of the light conditions, in some cases, oversized Vaginas (stage: Sabrina Rossetto).
The organic Association is not far-fetched, after all, The meat “plays” in the brothel. There the young Ayamé (Mizobuchi) has been sold after her indebted father died. Your groom Tokaido (Arnaldos) tries to free it – in vain. Also, because of the Ayamé in the duty of martyrdom to endure, to the honor of their family.
interpretation of severity in reduced Form
The template “Ayamé” comes from Kosaku Yamada, who composed the Opera in 1931. After plans for a world premiere in Paris, burst, and turned it to the concert Suite. Now, the Opera is played for the first time in Europe, scenic, under the direction of Fabian Gerhardt. He understands the refusal of the bride to run away with the Tokaido, as a Moment of self-empowerment. You decide how long you are offering your body in the brothel. Clearly a piece of fresh meat appears on walls as a projection on the glass, four hands around to knead at him. Ayamé in front of the escape, ultimately, even the common self-murder.
But when the question of the best would be immensely in excess of the female body is not enough for a modern reading of it, it should go in The “meat” of the Opera. A quote from Alexander Kluge, the States, in every Opera, which is salvation, will be sacrificed at the end a woman appears, just before the three actors (Tobiaz as a Narrative) in the bloody final exchange lend-sided with a sincere farewell and everything is still a queer Note.
The interpretation of severity, a reduction of the Form. The three you’re sleep-walking acting of the performers fill the manageable stage effortlessly with their voices, while Markus Syperek supports the score, Yamada’s on a tender Format. Cello, saxophone and keyboard instruments to play late romantic, Japanese-inspired melodies. So the 70 minutes of noise duration of the game and leave an Excess of questions, which could hardly be more topical.
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Premiere at the Neuköllner Oper Hero without hope
Tomasz Kurianowicz
for More performances to 7. April
