About the floods a sing slides Swan. His voice is the English horn, played in the Opera by Florian Hanspach-Torkildsen. The soloist moves in with his beautiful dark tone in the mysterious light of a fabulous world. His song floats over the pale sordinierten sounds and power vortices of the dead river.
Thomas Guggeis has fulfilled the desire to open his first concert at the rostrum of the Staatskapelle Berlin with the “Swan of Tuonela” and his inclination to Jean Sibelius with his second Symphony. So a program sees a change in his sense, because he stepped in for the indisposed Maestro Paavo Järvi. The career of the 25-year-old conductor Guggeis moves upward. Master courses in Salzburg Assistantships, Takeover of Berlin’s “Salome”Premiere in 2018, is currently Kapellmeister in Stuttgart.
gloom as you like to the young Maestro
The state of the chapel, he has served for 2016 to 2018 as assistant to Daniel Barenboim’s, follows him engaged in the mythological and pastoral moods of the Sibelius scores. He animated the orchestra with passion and extensive control go, so that the musicians unfold the Finnish tone of the works. The color-bearing effects in the low registers of the instruments, their melodies, the solos are to be admired until it comes with trombones and trumpets to monumental heights in the Symphony. In the Andante, but the long Pizzicato Passage in the double basses and cellos in the Scherzo of the intimate song of the Oboe. charms, fine-toned, Sadness is in how you like the young Maestro, and clarity. The scores ausleuchtend, he defends the Uniting of the small motifs, the high-profile figures at the beginning of the stop sounds.
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“Salome” at Staatsoper tip of the striker
Ulrich penis
The “Kindertotenlieder” by Gustav Mahler are in the program, while also Waltraud Meier had to cancel ill. Okka von der Damerau, jumps in and impresses in a linear song with a faithful Interpretation of the Rückert texts. The late romantic poet would not forget today, he would be right to stay in this setting. In the Event the songs-like sounds. In a great two-part polyphony, for Oboe and Horn announce that Mahler – Schoenberg, – “only rubs it down, what is absolutely necessary”.