In Switzerland, the Lucerne-“the scene of the crime was” often of criticism, but the audience numbers were good, up to 800’000 a switched, if the commissioners Flückiger and Ritschard determined. In Germany, however, they were in last place of all the “Tatort”-Teams. Lags in the synchronisation from Swiss German to high German? In the figures, at the scene or to the individual scenarios? Here, for the last Time, the votes from the “big Canton” to the Swiss “crime scene” before this goes from Lucerne to Zurich.
“time”
conspiracy theories of a sinister web site and a dead Journalist: The last case of Lucerne, the “Tatort”team tells pretty lame to be pathetic towards the end. What could have been for this crime, if it had been designed with the Finesse and complexity, interested way about certain American series, and movies games power unfold! To The Meeting.
“image”
See? So! Story quite neatly. It wasn’t all bad, what came eight years from Luzern. Bye, Flücki, Liz and coward-in-chief Matt man! To The Meeting.
“Süddeutsche Zeitung”
goodbye, you would have liked the Lucerne investigators Liz Ritschard (Delia Mayer) and Reto Flückiger (Stefan Gubser) a decent script and not five, ten at a time. The poor elephant stepping on each other on the trunk in this crowded “the scene of the crime”. To The Meeting.
“mirror”
Fuck the Media! And the economy and the policy at the same time. A farewell to Stefan Gubser as a Commissioner Flückiger, the Swiss “scene of the crime to get back” to a turmoil sweeping blow. A Disaster. 1 out of 10 points. This disastrously out of control-running “crime scene” is driving the Paranoia that he pretends to analyze. Commissioner Flückiger has earned a more dignified departure. To The Meeting.
Frankfurter Allgemeine Zeitung
The Swiss “crime scene” was for many years untertourig on-the-go. Goodbye Flückiger and Ritschard are allowed to turn right – but in a abstruse corruption and media conspiracy. By the way, the wood is cut-like, preachy and simplistic, as we know it from other Sunday thrillers of the ARD, and not only of these. To The Meeting.
“Frankfurter Rundschau”
The pallor of Lucerne “crime scene” retired rare behind the force of a consequence, as of 2018, in the successful real-time Experiment, “The music is the last to die”. Mostly, the Duo Flückiger/Ritschard, Stefan Gubser and Delia Meyer proved, instead, that the role of raising the profile of your German colleagues may fall for a while on the nerves, but that the non-binding deal with the staff has not yet fatalere follow. To The Meeting.
(phz)
Created: 27.10.2019, 22:08 PM
