A solo violist of the Orchestre National de Lyon is coming to Berlin to be with the Berliner Philharmoniker, a member of the viola group. A violinist has proven itself in Rome as a concert master before he is accepted into the Philharmonic group of the Second violins, the vocal leader he is today.
Together with prominent soloists of the orchestra of the Ignacy Miecznikowski and Christophe Horák in the chamber music hall to play, and it proves that you are excellent soloists. Thanks to such musicians, the groups of the Philharmonic achieve your inner glow.
“All Ravel” call of seven members of the orchestra, a great concert in the chamber music hall, dedicated to the French composer. Arranged for three instruments, first heard in the Sonatina for piano. Even a virtuoso harpist, has edited Carlos Salzedo them in a way that it’s supposed to have like Ravel. In this version of the dark viola sound Miecznikowskis fascinated in a Duo with the familiar flute Emmanuel Pahuds and the decoration of the harp Marie-Pierre Langlamet.
In the following string Quartet, whose leadership Simon Roturier (from the Second violins of the Vienna Philharmonic) takes over, with subtle Geiger of empathy, Bruno Delepelaire from Paris, first solo cellist of the Philharmonic orchestra since 2013, and set the tone with his Impetus.
Ravel works rich in detail, with small motivic germs
Maurice Ravel differs from that of Claude Debussy, the other great composers of impressionism, through a tougher art of his line. The interpretations show how exciting the changing lighting of small motivic germs can pose to be in this chamber music, how much the expressive power of an interval such as the perfect fourth in the Sonatina. Always new, the pulses from such a thematic steps appear.
A style-of-last-out partheit, dépouillé, simplifying the overall winner is the composer of the “Boléro” in the Duo-Sonata for violin and cello, Christophe Horák and Bruno Delepelaire with clarity and fire to interpret. The independence of their voices, the “asceticism of the middle” (Ravel), the simplification of a total triumph amazingly full sounding.
More about
Thielemann and the Berlin Philharmonic orchestra breath of heaven
Frederik Hanssen
To get your beautiful Solo Marie-Pierre Langlamet in “Introduction et Allegro”, where the harp-like sound, in the colors of the two woodwinds (to Emmanuel Pahud Wenceslas here, or a Fox mixed with his clarinet) and string Quartet. As you pass each other on this issue, whether in the tense quiet of a “Très lent” or in the momentum of their temperaments, in the “vif”sets in the Ensemble an amazing Match, the imagination reigns.