“Cirkus Cirkör takes the height of the feminist movement at the royal dramatic theatre”
“Cecilia Djurberg see cleverly artistry in God’s disobedient ribs”
“When Gunilla Thorgren writes about how she reads the Bible in his book, God’s disobedient rib, it is less about faith and more about history. She is doing a feminist review of how unequal women are portrayed, how this has been interpreted and is the basis for the writing of history.”
“When her book the now be transformed into the activist, feminist teatercirkus at the royal dramatic theatre, in cooperation with Cirkus Cirkör preached her conclusions. I could only scroll in Thorgrens book before the premiere, but notes that it is not necessary to have read it before you see the show to be reminded of how the christian west is lagging at the same kvinnoförtryckande luggage such as islam.”
“In berättarrollen as Thorgren guide Cecilia Lindqvist, in the page and the elegant byxdräkt, the audience, through the western cultural heritage from Adam and Eve, in Sven Borängs and Ellen Jelineks hårfagra design. We get to see the dramatic, acrobatic våldtäktsscener, the condemnation of women’s sexuality are symbolically portrayed on the chinese pole and a visual nummerparad that provide significant historical female figures redress. Everything in Anna Heymowskas delicious, teatralt historicising costumes.”
“The theologian Thorgren have as a sounding board and critical resistance in the book is played välkalibrerat and filling of Elin Klinga, who navigates skillfully on and above the stage floor in various roles. “
“the Ensemble of professional artists are all women and the male actors Dramatenskådespelare that impresses in new disciplines. Hamadi Khemiri and Michael Jonsson alternate Jesus, and must literally rely on women’s strength and skills: Khemiris parakrobatik with Karoline Aamås Mary Magdalene is an equal balanced and tender luftduett and His strong trapetsnummer with Fouzia ”Fofo” Rakez the Virgin Mary emphasizes the mother’s influence and backing.”
“It is refined, airborne feminist points made at the royal Dramatic theatre’s main stage, where the scenography and the choreography symbolically illustrates the patriarchate trappformade hierarchies, and compare it with the equal, of the circular distribution of power.”
“the Text connects cirkusnumren, but dominates at the particular expense of the fluency of the composition. So the feeling of to attend a disguised lecture lurk, but skilled artisteriet compensates a lot. When Fofo Rakez, dressed as a nun, develops a familiar munjongleringsnummer and ping-pong balls until Lovely is the earth on a minixylofon and smashes with a priceless, ekivok twist under the cover.”
“” The disobedient to the ribs”
“production Design: Fridjon Rafnsson”
“In roles: Hamadi Khemiri, Anna Lagerkvist, Cecilia Lindqvist, Elin Klinga, Marilén Ribot, etc.”
“Scene: the royal dramatic theatre, the main stage”
