“This is what we are passionate about Josefin”
“of Course, Eirik Stubø resign”
“Aftonbladet’s leader board is the independent social democrat.”
“”You want to write about this, but it is such as people don’t really care about,” says the actor to Expressen.”
“The crime he is convicted of being lifted up in the documentary on the artist Josefin Nilsson, ”Love me for who I am”. The film, which describes how she was beaten up by the actor 20 years ago, how the violence in the relationship wounded her for life. A life that was far too short. Josefin Nilsson was 46 years. “
“When the documentary had spread, organized a large ljusdemonstration outside the royal dramatic theatre, where the actor worked. Performances were cancelled.”
“A part of Josefin Nilsson’s legacy is that we are now talking about men’s violence against women, perhaps more open than we have ever done. “
“To the royal Dramatic theatre’s managing director Eirik Stubø now departing is a result of tystnadskulturens death. He is the ceo who, with one hand arranged protection for the actor Julia Dufvenius, so that she would not dare participate in a performance, and with the other hand toasted in celebration at the pub with the actress she was terrified. Julia Dufvenius was warned by colleagues, the man was looking for her after Metoo-the appeal #Tystnadtagning. ”I was so scared,” she says to Dagens Nyheter. She describes a long-standing problem, a horror to see the man’s aggression. “I’m not the only one who has had a blackout or crying behind the stage, in order that it can’t do its job to the fullest.””
“Tolerance with svinaktiga behaviors”
“A greater recognition of the existing problems of health and safety is hardly possible to imagine. You arrange protection for the profitable production to continue. You do nothing about the actual roots of the problem. It is bizarre. Anyone who has read Michael Persbrandts autobiography knows that the theatre had a large tolerance with svinaktiga behaviors, if only the performance was sufficiently profitable. But Eirik Stubø shall not be the sole blame for this madness. The board also has a large debt in question. “
“And what is happening at the royal dramatic theatre is a magnifying glass on a societal problem.”
“How shame and the fear makes the victim keeps quiet. How the status and position, have acted as a protection for the perpetrators who would vilify and spread fear. How harmful patterns can be passed on.”
“the Severed doors, and bruises”
“I want to make it safe to talk about violence,” says Ida, who at the weekend told Aftonbladet Kerstin Weigl to be våldsutsatt. Three women dared to give faces to the violence that is going on in the home. Their stories were severed doors, bruising, brutal violence, self-esteem purposefully ground down.”
“The only way it really can be safe to speak about the violence is that society offers a way out. Through the resourceful women’s shelters, the attention of the police officers that go to the heart of each case, målsägandebiträden all the way, that the law be reviewed, increasing the number of judgments which show that violence will not be tolerated. A society that takes the problem seriously.”
“It is as we are passionate about Josefin. And all of her sisters.”