Everything is Singability. A consecration full of across-the-Board style in the Symphonies of Anton Bruckner is the musician Marek Janowski. Without false Pathos, to give in, aiming for the wonderful string melody in the Adagio of the Sixth with him to infinity.
A master of concentration stands in front of the Berliner Philharmoniker, the consequences of his ideas about Tempo with a self-evident accuracy. Because of this Music together deepens the impression that Janowskis Tempi are always right.
Janowski is the e minor on the heart
After he developed the Berlin radio Symphony orchestra from 2002 to 2016 as chief conductor to the top class and cherished, waiting for him now in the same Position in the future to work with the Dresdner Philharmonie. As a guest conductor of the Berliner Philharmoniker Janowski turns for the second Time, Anton Bruckner, one of his life themes, this time with a pure Bruckner-night.
the e-minor mass is That important to him, he has shown in Berlin, in a performance with the MDR-Chor Leipzig. Here in this concert is now celebrated the fabulous Berlin radio chorus, rehearsed by Gijs Leenaars – his delicate eight – part Part with contrasting dynamics true. The work is based on the choral polyphony of the Renaissance, supported by a small orchestra consisting of woodwinds, and brass. The Interpretation expressed, however, that in addition to the Church’s determination of the music for the dedication of a votive chapel of the Linz Cathedral, its archaic page so, a mysterious Expression in her work. Here, the dissonance has its old power. From the Adagio of the “Et incarnatus” seems to Schubert to greet.
noise of the sound of orchestra
Gustav Mahler premiered, but with cuts, the Sixth, Bruckner’s only after his death to the Public. Even today it is rare on the programs. To Janowskis Interpretation, the coherence of the Cantability fascinated. How organically he Transitions to the second theme in the first movement, “significantly slower” to initiate, such as the melody in the Adagio from the sound character comes from, as if to heaven aspire wanted, what is the voltage in the slowness vibrate, that ennobles the playback Janowskis with the Philharmonic on uneitle way.
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Interview with Marek Janowski goodbye to Berlin
Hans Ackermann
he designed it is quite transparent to the Wagnerian noise sound of the orchestra, but also the Schubert-bliss of the violins. The Intimate connects to the Solemn, if choral detention, the Fanfare sounds. Janowskis Interpretation of the lights, all of the topics from the flowing sound are born and in him, are involved.