“No one is reading Jan Myrdal, to get to know who had flatlöss”

“Åsa Linderborg on the literature, the eternal and insoluble problems.”

“This is a kulturartikel which is a part of Aftonbladet’s opinionsjournalistik.”

“you get to write anything about the deceased people? The wonder Bo Lindquist (daily News, 25 april) on the occasion of Jan Myrdal A second respite. Birgitta Rubin touches on the issue in an article about Peter Johansson’s exhibition child-like faith (DN 26 april).”

“the Question of the fiction of morality is as eternal as insoluble. It is always problematic to name the real people, and everything should not be allowed just because you call it art. But it is, after all, as Göran Sommardal points out, is not the same to write about the dead as to write about the living, ” april 25).”

“the Difference can be subtle. “

“In Myrdal’s jagroman are a deceased love venereal disease. Maja Lundgren made the literature of a lättidentifierad man she felt betrayed, and describes a blur on his cock.”

“In both cases, you understand that it is fiction and thus partsinlagor. Fiktionaliseringen creates a raster and an agreement with the reader. No one is reading Jan Myrdal to know if May had flatlöss. Reading the great war In order to want to know what he has understood of life and the world. Subjecting jagförfattaren the Truth is useless, the only thing you can ask for is that the author should be true to themselves. Myrdalianian is full of renewed memories; such is the human psyche and fiction allows it.”

“But there is also a difference between writing fiction and to post something on social media. If Cissi Wallin had written a novel would probably all be different for Fredrik Virtanen and his family. Virtanen jagbok, Without mercy, comes out in the morning Monday. Where has he chosen to not mention her name because it is the principle of the rule of law and media ethics) and not the person he wants to discuss.”

“Bosse Lindquists question about Norstedts really should defame the deceased (of women) can be compared with Metoo-the movement’s use of Twitter and Instagram. When treated not jagberättelserna as partsinlagor (of men); all are received as truths, and get domstolsstatus. “

“Everyone knows that the jaglitteratur is one of the many versions of reality, but in the Metoo has all the alternative versions have been disqualified. It is located in all of the revolutioners logic to refuse any moral grimmor, but still – it as fiction and the author is invited to stop by is where on the contrary no. “

“Everything is apparently about who you give.”

“this is hard!!! As jagskrivande author, I want to defend my space. I do not want to nykonservatismens claws shall tear tears even in the art. But as a fellow human in a time where there is a hunting season on social media, I become terrified. It was already insoluble, has hardly become easier. “