The Fontane-year, the Deutsche Oper Berlin is preparing a world premiere: the music theatre “Oceane”, according to Theodor Fontane by Detlev Glanert. And the attunement to the theme extends to the house of literature, where Hans-Ulrich Treichel as a Librettist (4. April, 19.30), will talk with Jörg königsdorf on the Writing of Opera texts.
That there is a lot of the work on the effect of music with a catchy Repetition and concealed melody that announces itself in the Symphony concert under music Director Donald Runnicles. The orchestra of the German Opera is playing “Frenesia” by Glanert, a piece that lives up to its title, fierce honor, and a scene in the first act of the Opera.
The orchestra as a whole radiates from joyful faces after his first Solo ended Oboist Juan Pechuan Ramirez, the oboe Concerto of Richard Strauss and warmly celebrated. It is a work that, in 1945, composed, of war and misery, nothing white, that is illuminated by the evening sun of life, which seems to be his Creator according to the “metamorphoses for 23 solo strings” friendly. Driven by the memory of Strauss ‘ rich harmonies of the orchestra plays Ramirez his Part with inspired cadenzas, ornamentation, virtuosity, and soulful Cantabile. A performance, which is suitable for admiring and Thinking about the qualities of the Berlin orchestra.
Perfect harmony
This also applies to the dynamic performance of the “Eroica” by Ludwig van Beethoven. Until the very end of the Pianissimo in front of the runaway Presto, the Interpretation of the energy of the musician Donald Runnicles. The Playful, such as the force of the jagged chords bands get more of the score from the music of an antique spirit that you are the “Hero”. The funeral March in sotto voce with a supple drum, and the delicate Staccato of the strings in the Scherzo, and its Pizzicato use in the set of Variations which unfold their eloquence directly, because the sweeping use of the Maestro, at the end of his joy at the are counterpoint in the service of the score.
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Deutsche Oper Berlin: The 2018/19 season, the French, Fontane and Fanale
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Perfect harmony if the orchestra would like to thank the Opera house on the Bismarckstrasse his conductor’s applause.
