Usually, we have two things to expect from valentine’s day.
thousands of drains corked again of all the pubic hair that has been allowed to grow freely throughout the year. And to a vänsterskribent requires kärleksguden Eros hung in the last kapitalistens intestines.
I can’t be bothered to call rörmokarfacket to check it out first, but when it comes to values, I expect a shift. Has love become radical?
I am a vernissage for the ”Bachelor 2019” at the gallery Steinsland Berliner in Stockholm, where the pink feather alternated with industrial straps. The program, in which a bachelor tries to find a partner who can complement his otherwise perfect life, symbolized where the meagre reduction of passion to partnershopping.
the Same day, wrote the Aftonbladet modemarxist Kristofer Andersson a fine display of affection to his wife. ”What I should write: valentine’s day is a heterosexual propaganda campaign signed Kochbröderna […]. But instead I write: We were married, to say to each other, when everything else is replaceable, you are not there.”
Love from a pure source that must be protected from contamination.
rather have seen the sugar which helped us to wash down the poison. The family was considered to have arisen with private property in order to manage the inheritance, whereupon the kärlekspropagandan needed to keep it together, and that the woman would accept their submission before the man.
the Arguments helped to strengthen the position of women, with the dishes to abortion and divorce. But sociologists have sought to bring in a pink puff from the bedroom in the left-crunching library.
”Why love hurts” (2015) writes Eva Illouz of the love that is central to the creation of modern individuality. Marrying out of love was a way to defy the clan’s power, and forced in addition, the priests from our souls the inner room. Thus was the woman’s thoughts and preferences suddenly important, which explains that they were drawn to romantic literature.
become a source of anxiety. Or, more accurately, the constant prompts to choose.
”Sex and the city”-feminism’s core message that even women can make a career and be around, improved the position of women in both the office and the beds. But the values are also difficult to distinguish from pure neoliberalism. The right to treat each other as sex toys, and to sell our labour to the highest bidder: enough can our hearts better?
In that light will also be twitterkampanjen to give Elsa a girlfriend in the children’s movie ”Frost 2” understandable. At first I was furious: how can it be better to Elsa watching the eurovision song contest with his new girl, than in governing the empire and spending time with her sister Anna?
loneliness slamming close higher than the independent. And if parkärleken is one of the few rooms that still keeps the market on the rod, so it is perhaps also time for a ”pink packs” to defend it.
With one fist in the air, and the other in another’s hand.
