The Rias chamber choir, Handel-Fortress. The performances of his oratorios, the shrewd music playwright after the decline of the Italian Opera in Britain, devised, to bring a loyal audience in Berlin again and again the Concert highlights. The turn of the Year, the Ensemble took a double strike. First of all, conducted by Robin Ticciati, the “Messiah” with the DSO, a performance by the Rias chamber choir was able to prove his great familiarity with the work, their spatial arrangement, but made real musical density impossible. Because it is absolutely understandable that Justin Doyle wants to dive with his choir for the traditional new year concert in the Philharmonie deeper into Handel’s wild, wide oratorios of the world.
for weeks, the British principal conductor of the Handel and enthusiastic choral tradition of his homeland grew up surrounded with notes of choirs from a wide variety of works, from “Saul” and “Israel in Egypt” to “Acis and Galatea”. The promises to the edification and amusement, which were not separate for Handel anyway. To ensure that Doyle’s relationship compilation of rich-oriented ears, puffs, has been a radio presenter Grit Schulze hired. As hard as it is, this genius in their words almost, show the biographies of the 250. Death: Except for a few spectacular anecdotes, we know little about the verfressenen, angry, and in his own way God-fearing star compounds, EUR.
Brilliant Entrée to the praise of God
With drums and trumpets from “Saul” to prepare inner-Doyle, and the Academy of Ancient music, the singer and a Shine singers full Entree to the praise of God, and the very next turn with “Judas Maccabaeus” on the way of the chosen people, in which the British recognized. But before the consecration is to much, the Plagues of Egypt, and after the Swarming, and hail, as thunder is the sound that has become darkness, the Philharmonie entirely in silence fall. The war of faith, the sweeps in “Samson” across the choir, is too mannered, the imagined road driving in “L’Allegro, il Penseroso ed il Moderato” rather contemplative. Technical brilliance is Cyclops Polyphemus in “Acis and Galatea” in the midst of a Fugue appear to be a threat to the fond lovers, in a fragile moment of extreme art penetrating. Completely irresistible, with a casual precision, and laughing jubilation, to succeed Feast, the addition of “Alexander’s” – an open-hearted Celebration of music and love. This way, you can feel wants to follow Doyle. This is a view!
