your reference is the L. A. Noir, you cite “Chinatown” or “The Long Goodbye”. They themselves are paranoid, if you’re in Los Angeles, a Film noir?
The L. A. Noir for me is the epitome of the history of Hollywood. bahis siteleri He is of decadence and its opposite, i.e. of those who crave wealth. Thanks to Noir, you can move between the two worlds, and so the city and its history. Or at least those story told in the movies about the city.
Have you shot the Film, because they found that delusions of persecution and detective characters are interesting concepts?
in Part, such motives are important. But I never say: “This is now my theme, the Film is.” I allow me to feel ideas. This is rather a bit emotional.
“On the phone, Yes you can see today, immediately, what a great life the other.”David Robert Mitchell, Director
In your movie, it is full of Songs, Fanzines, and Nintendo Games. Everyone seems to have this pop culture Knowledge, but only your Hero Sam is a special secret on the track. Tendons we search all of us to this treasure?
I think so. Sam is a lost figure. He is isolated from the world and feels attracted to the things of which he thinks that you can make something Special out of it. On the phone, Yes you can see today, immediately, what a great life the other lead. The can alienate one from people. Maybe we’re not looking to significance in places where they may not even exist.
you drive up to the conspiracy theory – an explanation of the world, which today is not just unpopular.
this is also the Desire to discover something Special. It is not wrong, nothing, as long as one drives it up to the Destructive. Pop culture is ahead of us. We don’t want to experience all of the feeling to hit like Super Mario on a brick until it is a fungus produced shoots?
A search of a beautiful stranger: “Under the Silver Lake”. Video: YouTube/Ascot elite
In various cinemas
(Züritipp)
Created: 05.12.2018, 16:07 PM